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FreeReservation.com Hotel apartment b&b secure Reservation ph +39 0650512610 fax +39 0652458148 |
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| Cultural
Tours |
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In response to those who would like
to get to know this cultural wealth in more detail,
It Club has created new cultural itineraries, whose
difference lies in the fact that there is a presentation
of the chosen subject beforehand at It Club in Palazzo
Doria Pamphilj. The programme is divided into two parts:
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1. Presentation of the subject in our
conference room, using photographs, images and computerised
maps, film extracts, quotations and references to literary
works and anecdotes, which all add to the reconstruction
of what Rome and its monuments were originally like.
(Duration: about 1 hour) In this way, the participants
can follow the explanations in a quiet place, without
straining to hear above the noise of the traffic, as
they would in a normal guided tour.
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2. The second part of the programme
consists of visits to different places of interest,
all easily reached by foot from our centre in the heart
of Rome. (Duration: 2 to 2.5 hours).The presentation
is given by experts in history of art and archaeology,
who also accompany the participants to visit the works
of art and monuments under discussion.
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| - Duration: 3 hours. |
| - Rates:31 € for
each person |
| - Children under 15 may
participate free of charge. |
| - booking deposit per
person is required |
- Guided visits in English
take place every Thursday at 3 p.m. at It Club: Via del
Corso, 303
- 4th Floor. |
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| Subjects
Calendar: |
| Thusday |
| Caravaggio |

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F r o m M i c h e l a n g e l o M e
r i s i t o C a r a v a g g i o ( 1 5 7 1 - 1 6 1 0 )
Michelangelo Merisi (this was Caravaggio's real name)
was born in 1571. Left orphan at a young age moved to
Milan to develop his skills as a painter. There, he worked
close to Simone Peterzano. At the age of twenty-one he
went to Rome where he resided at the house of Pandolfo
Pucci. In economic difficulty, he painted under commission
still nature in the studio of Cavalier d'Arpino. The fact
that Michelangelo met important roman noblemen of the
epoch such as the Marchese Vicenzo Giustiniani and the
Cardinal Francesco Maria Del Monte enabled him to obtain
commissions and produce art pieces assigned to church
altars... |
| Bernini |

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G i a n l o r e n z o B e r n i n i
( 1 5 9 8 - 1 6 8 0 ) Bernini, sculptor, architect, urban
designer, playwright and stage designer, was the major
artist of the seventeenth century and "creator"
of the baroque. He died at the age of 82 and during his
life twelve successive popes sat on the throne. Most of
them, from Pope Paul V to Pope Clement X, chose Bernini
as the official artist of the church. Because Bernini
designed so many masterpieces, Rome became the center
of a new kind of art, where an innovative aesthetic flavor
and formal language developed. Soon afterwards this new
artistic language spread all over Europe and even reached
Spanish and Portuguese colonies in Latin America. Strolling
through the streets of Rome it is possible to discover
numerous works of art created by Bernini... |
| The
Renaissance |

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T h e R e n a i s s a n c e The Renaissance
in Italy encompassed the 15th and half of the 16th century.
It's name represents a time of discovery, awe and re-birth
(of the self). The period is characterized by growth and
constant experimentation, which led to the development
of modern concepts; new forms of economy, great individual
and communal wealth, civic pride, and artistic ideas.
The shift between the Middle Ages and the Renaissance
consisted of a slow evolution of the political and cultural
ideas and system. The feudal structure founded under rural
economy and developed around fortified castles had to
give way to commerce and a market economy, innovative
architecture and urbanization, as well as new forms of
government involving the participation of citizens...
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| the
Early Christian period |

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L'EPOCA PALEOCRISTIANA Nel 313 d.C.
Costantino emanò l'Editto di Milano con cui veniva
concessa ai cittadini dell'Impero la libertà di
professare qualunque culto; terminava così l'epoca
oscura delle persecuzioni dei cristiani, finora costretti
alla clandestinità e al martirio. L'Editto di Tessalonica,
emanato nel 380 d.C. da Teodosio, proclamò il cristianesimo
religione ufficiale dell'Impero romano e da allora fiorirono
l'arte, la letteratura e la cultura ispirate alla nuova
fede, che finalmente trionfava sulla civiltà classica
e pagana. Roma perse il suo ruolo di capitale imperiale
nell'anno 330 d.C., quando Costantino le preferì
l'antica Bisanzio, chiamata da lui Costantinopoli; ma
la città divenne un centro universale di spiritualità,
in quanto sede del papato, e meta di pellegrini e devoti
in tutto il mondo... |
Fori
Imperiali
Over the years, Julius Caesar developed a brilliant career
as consul and builder. He became a dictator for an unlimited
period after the triumph with Pompeo and Cras... |

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Over the years, Julius Caesar developed a brilliant career
as consul and builder. He became a dictator for an unlimited
period after the triumph with Pompeo and Crasso. The Senate
granted him the title of Emperor and it was at this point
in time when he decided to build his own forum. He chose
to place it inside the previous one, the Foro Repubblicano.
At one end of the arcaded rectangular piazza Julius Caesar
dedicated a temple to Venus, the celestial mother. In
the center he had placed an equestrian statue depicting
himself on his illustrious horse. The two front legs of
his horse were portrayed as two human legs, therefore
allowing some human quality to the beast. In the second
century AD Trajan adds to Julius Caesar's forum a "Tabernae"
or ancient roman shops, a "Forica" or public
bathrooms, and the Basilica Argentaria that served as
a moneychanger. In 44 BC Julius Caesar was murdered by
Brutus and Cassius. His successor and adopted son Ottaviano
Augusto revenged his father's death by having them killed
and became part of the Empire. As an ex voto he had his
own forum built in the year 2 BC. The complex stands perpendicular
and is similar in character to that of his father's. The
Temple of Marte Ultore lays on an extremity of the forum
and in the center of the square the emperor was portrayed
in a bronze equestrian statue. Frequent fires often originated
in popular districts, causing severe damage to ancient
cities. Ottaviano Augusto protected the forum from fire
hazards by placing a "peperino " wall (a volcanic
stone wall) called "tagliafuoco" or fire-stopper,
which separated the forum from the popular district or
Suburbia. The wall was interrupted by two arches that
framed the entrance. In 75 AD Vespasiano had a new forum
built adjacent to the preceding ones. The piazza occupied
the central space, which led to its dominant structure
the Temple of Peace. The temple was built to celebrate
the Emperor and his son's (Tito) victory over the Hebrews
in Jerusalem. Two libraries, a Greek and a Latin one,
emerge on each side of the Temple of Peace. Nowadays,
it is difficult to trace the huge complex. During the
fourth and sixth centuries the Tempio del Divo Romolo
and the church of SS. Cosma e Damiano were built. In 97
AD the Foro di Nerva was inaugurated. It is the smallest
in size of the five forums and it was also referred to
as a transitional forum because it lies between Augusto's
and Vespasiano's forums. It is currently being excavated
and rediscovered. Efforts are being made to recuperate
its remains buried by the street built by Mussolini. The
temple built at one of the piazza's extremities venerated
Minerva; but in 1600s it was dismantled and its marble
was re used in the fountain of Acqua Paola located in
the Gianicolo. The latest and the biggest of all the forums
is Trajan's Forum inaugurated in 113 BC by Trajan himself.
He had his architect, Apollodoro di Damasco, build two
public areas that communicated. One served for commercial
activities and the other was dedicated to political and
judicial activities.
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